- Special FeaturesFoundation YearChola Kings, later Nayaks of Thanjavur - 3rd centurySthala TreeTheerthamAnantha TheerthamRathamArchitectureDravidian architectureOther Speciality(Divya Desam)
- Sthala Puran
அருள்மிகு பெருந்தேவி தாயர் சமேத வரதராஜப் பெருமாள் திருக்கோயில், காஞ்சிபுரம்.
Varadharaja Perumal Temple or Hastagiri or Attiyuran is a Hindu temple dedicated to Lord Vishnu located in the holy city of Kanchipuram, Tamil Nadu, India. It is one of the Divya Desams, the 108 temples of Vishnu believed to have been visited by the 12 poet saints, or Alwars. It is located in a suburb of Kanchipuram known as the Vishnu Kanchi that is a home for many famous Vishnu temples. One of the greatest Hindu scholars of Vaishnava Vishishtadvaita philosophy, Ramanuja is believed to have resided in this temple. The temple along with Ekambareswarar Temple and Kamakshi Amman Temple in Kanchipuram is popularly known as Mumurtivasam (abode of trio), while Srirangam is referred to as: 'Koil' (meaning: "temple") and Tirupati as: 'Malai' (Meaning: "hill"). Among the Divya Desams, Kanchipuram Varadaraja Perumal temple is known as: 'Perumal Koil'. This is one of the most sacred places for Vaishnavites. The fourth of the Divya Desams that completes this series is Melukote—which is known as Thirunarayanapuram. Vaishnavites believe that visiting all four places without a break will guarantee one a place in paramapadam.
Indra, the king of celestial deities, after getting released from the curse of Goddess Saraswati, installed the silver and golden lizards who were the witness of the ordeal. Brahma performed a yagna here, which was about to be washed away by the fast flowing river Vegavathi (Saraswathi devi in the form of river), known today as Palar River. The temple deity, Vishnu laid himself flat to stay the flow and the yagna was successfully performed. Vishnu emerged with brilliance of thousand Suns as Varadharajaswamy inside the athi tree and stayed here permanently until he was submerged in nearby tank since Lord came from yagna done by Bhrama( also due to fear of invasion by Sultanate). As is the case with the association of South Indian temples with a sacred tree, the name of the temple, Attigiri is derived from Atti tree (fig), considered sacred to Vaishnavas and Hindus. The present stone deity found inside the temple is from an nearby Narashima temple, the deity is called Devaraja Perumal whose worship is equated to Adhi AthiVaradharaja perumal i.e; two gods reside in one moolavar idol.
As per Hindu legend, Brahma, the Hindu god of creation, separated with his wife Saraswathi over a misunderstanding. He did an Aswameda worship (with a horse) seeking boons from Vishnu. Vishnu was pleased by the devotion and came out from under the earth as a boar and got Saraswathi unite with Brahma. As per another legend, Saraswathi cursed the king of celestial deities, Indra, to become an elephant and roam around the place. He was relived off the curse with the divine power of Vishnu, who appeared as the mount, Hastagiri. Hastagiri indicates a mount/hill in the form of elephant. As per another legend, the disciples of sage Gautama were cursed to become lizards. They resided in the temple and were relieved of the curse by the divine grace of Vishnu. There is a panel in the temple where the two lizards are depicted in the roof of the temple.
Thirukkachi Nambigal (also known as Kanchi Purnar) was an ardent devotee of this temple. He used to bring flowers everyday from Poovirundhavalli, where he maintained a garden. He did Aalavatta Kaingariyam, waving to produce breeze with the help of hand fan. It is believed that Vardharaja used to converse with him, while he was doing that seva. Aalavatta Kaingariyam is a worship practise followed in modern times also.
Nambi also composed Devarajaashtakam (A Sanskrit poem of 8 verses) on the presiding deity. Sri Ramanujar, another great Vaishnavite, got answers to his six questions from Lord Varadharaja through Sri Thirukkachi Nambigal.
- Architecture
The temple covers an area of 23-acre (93,000 m2) complex and shows the architectural skills of ancient Vishwakarma Sthapathis in temple architecture and is famous for its holiness and ancient history. The temple has three outer precincts (prakarams) namely Azhwar Prakaram, Madai Palli Prakaram and Thiru Malai Prakaram. There are 32 shrines, 19 vimanams, 389 pillared halls (most having the lion type yali sculpture) and sacred tanks some of which located outside the complex. The temple tank is called Anantha Theertham.
The main sanctum faces west and can be entered through a 130 feet tall, 7-tiered rajagopuram (main gateway tower). The image of the presiding deity is designed in such a way that on the 15th day after Chitra Purnima, the rays of the Sun fall on the idol. The hill, called Hastagiri, is 360 m (1,180 ft) long by 240 metres (790 ft). The eastern gopuram is taller than the western gopuram, which is contrasting to large temples where the rajagopuram is the tallest one. One of the most famous architectural pieces in the temple is the huge stone chain sculpted in a single stone. There is a 100 pillared hall which has sculptures depicting Ramayana and Mahabaratha. It is a masterpiece of Vijayanagara architecture.
Hastagiri has murals of the late Vijayanagara empire on the ceiling. Another significant features of the temple are beautifully carved lizards and gilded with gold, over the sanctum. The vimana over the sanctum of Varadaraja Swami is called Punyakoti Vimanam and the one over Perundevi Thayar shrine is called Kalyana Koti Vimanam.
Apart from the main stone idol, the temple has the wooden image of Varadarajaswamy made of Atthi or the fig tree and preserved under water in a secret chamber. It is brought out for worship once every 40 years. The festivities last 48 days after which it is immersed in the water and stored for the next 40 years. It is believed that there is a heavy downpour after the idol is immersed to fill the tank. The presiding deity is a 10 ft (3.0 m) tall idol made of granite in standing posture, while Thayar is a 4 ft (1.2 m) image in sitting posture. There is a shrine of Narasimha on the hillock. The origin of the mask of Narasimha is mysterious and believed to possess inexplicable powers.
In the second precinct downstairs contains four shrines, of which the important one is of Malayala Nachiar (Kerala consort), presumably built during the Chera kings in the early 14th century. There are images of Azhwars and Ramanuja in the second precinct.
The third precinct has the shrine of Goddess Perundevi Thayar; it is customary for devotees to visit the shrine first before visiting the main Perumal shrine. There are four small pillared halls, identical in structure, called Thulabara Mandapas built during the 1532 for a ceremony of Achutaraya of the Vijayanagara empire.
The seven precincts are called Pradakshina Padha, Hastagiri Pradakshana, Madapalli Pragara, Alavandar Pragara and Azhwar Thiruveedhi. The Alavandar Pragara houses lot of shrines of the temple. The temple has two towers on the eastern and western sides, which are 180 ft (55 m) and 160 ft (49 m) tall respectively. There is a hundred pillared hall, which has ornate carvings, notable of which being a stone chain. The temple car is believed to have been donated by Krishnadeva Raya in 1517 CE. There are paintings in the temple commissioned during the 16th century during the rule of Vijayanagar kings.
There is a shrine of Chakratazhwar on the eastern side of the temple tank. The image of Chakrathazwhar (Sudarsana) in the temple is depicted with six hands. There festival image of the temple has seven different images of Sudarshana depicted within the same Chakra. There are two entrances to the shrine as the two images are considered to be separate. The shrine is believed to have been constructed during the time of Kulothunga III during 1191 CE by Ilavazhagan Kalingarayan of Nettur as seen from the inscriptions in the temple. The later additions are presumably made by Vijayanagar Empire during the 13th or early part of 14th century. The kings also added pillared columns in the leading hall sculpted with figures from Ramayana and various forms of Vishnu.
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